Mês: Março 2024

Schirin Kretschmann’s work oscillates between painting as installation art and its liminal convergences with process-based practices. Her artistic work is situational and processual in that it takes an artistic gesture as a point of departure and initiates developments or fluctuating processes, in which the viewers themselves usually play an active role and perception is understood to be a multifaceted, synaesthetic, constantly changing and thus unfinished process. The intervention of a material in a specific exhibition context is always a direct reaction to the conditions of the respective context and its material components.

Exhibition as Research. The case of “Les Immatériaux” (Paris, 1985).
Andreas Broeckmann is an art historian and curator who lives in Berlin. He is currently engaged in a research project about the exhibition „Les Immateriaux“ (Paris, 1985) at Leuphana University Lüneburg (2021-2024). He teaches at the Academy of Fine Arts, Leipzig, and is a tutor in the PhD program of the Art Academy in Malmö. He lectures internationally about the history of modern and contemporary art, media theory, and digital culture. He is the author of „Machine Art in the Twentieth Century“ (MIT-Press, 2016), and of „The Making of Les Immatériaux“ (forthcoming, 2025).